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	<title>AnimA TV &#187; Reports</title>
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	<description>Do you believe in reality?</description>
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		<category>TV &amp; Film</category>
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		<itunes:subtitle>Do you believe in reality?</itunes:subtitle>
		<itunes:summary>Do you believe in reality?</itunes:summary>
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		<itunes:category text="TV &amp; Film"/>
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		<title>digital creation days 2007</title>
		<link>http://www.anima-tv.net/2007/11/digital-creation-days-2007/</link>
		<comments>http://www.anima-tv.net/2007/11/digital-creation-days-2007/#comments</comments>
		<pubDate>Sat, 17 Nov 2007 19:04:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Reports]]></category>
		<category><![CDATA[Digital Creation Days]]></category>

		<guid isPermaLink="false">http://www.anima-tv.net/?p=45</guid>
		<description><![CDATA[Again the Digital Production is trying to establish a new event. They did that already in Munich as the Animago Event, later in Cologne with the Digital Behaviour and now the Digital Creation Days in Karlsruhe. Again workshops from professors and professionals have been given.
An exhibition where media companies showed their products was set up [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-medium wp-image-46" title="dcd07_location" src="http://www.anima-tv.net/wp-content/uploads/2008/07/dcd07_location.jpg" alt="digital creation days 2007 location" />Again the Digital Production is trying to establish a new event. They did that already in Munich as the Animago Event, later in Cologne with the Digital Behaviour and now the Digital Creation Days in Karlsruhe. Again workshops from professors and professionals have been given.<span id="more-45"></span></p>
<p>An exhibition where media companies showed their products was set up and a big recruiting area where companies from germany were happy to interview new talents.</p>
<p><img class="alignright size-medium wp-image-47" title="dcd07_maya" src="http://www.anima-tv.net/wp-content/uploads/2008/07/dcd07_maya.jpg" alt="Maya presentation at the dcc 2007" />The new location Karlruhe might have kept away a few people but lots of local students and professional visited the event.</p>
<p>One criticism that people people told me was that the workshops were more used to present the company then to communicate know how. The spirit of internationality was missing completely compared to the fmx in Stuttgart.</p>
<p>Overall it was a professional, nice and personal event. I was happy to talk to top people from the business and also happy to see that the media industriy has regained strength compared to 2-3 years ago.</p>
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		<item>
		<title>animagoAward 2007</title>
		<link>http://www.anima-tv.net/2007/11/animagoaward-2007/</link>
		<comments>http://www.anima-tv.net/2007/11/animagoaward-2007/#comments</comments>
		<pubDate>Mon, 12 Nov 2007 20:36:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Reports]]></category>
		<category><![CDATA[Animago]]></category>

		<guid isPermaLink="false">http://www.anima-tv.net/?p=48</guid>
		<description><![CDATA[Since 1997 the magazine digital production awards cgi content with an award called the animago award. On the 8th of November in Karlsruhe, Germany, CGI talents and friends gathered in a nice hall with delicious fingerfood waiting for the animago to start.
Eleven awards waiting for delivery. The new concept of only 11 awards and the [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-medium wp-image-49" title="animago07_stage" src="http://www.anima-tv.net/wp-content/uploads/2008/07/animago07_stage.jpg" alt="animagoAward stage" />Since 1997 the magazine digital production awards cgi content with an award called the animago award. On the 8th of November in Karlsruhe, Germany, CGI talents and friends gathered in a nice hall with delicious fingerfood waiting for the animago to start.<span id="more-48"></span><br />
Eleven awards waiting for delivery. The new concept of only 11 awards and the nice location increased my exspectations of the event.<br />
The speaker has changed. The new voice belonged to Matthias J. Lange who is also the new editor in chief of the magazine Digital Production since the middle of 2007.<br />
Although he read his text from a piece of paper, you could feel that he is a professional and is loving vfx and cgi of all kinds. Little technical misstakes where nicely talked away.</p>
<p>However the event was again not as professional as it should be by now: Big audio problems disturbed the event, Günther the DVD Player even crashed once. The handover of the awards lost its glamour as soon as the applaud became silent. The integration of international production into the award lost also its glamour since no one showed up. At least Bully sent a funny videomessage, although playing it twice did not make it better. The videomassage from Waltdisney was an extract from the bonus material from the Ratatouille DVD – very sad.</p>
<p>BUT: Most important are the cgi productions which made the audience laugh and wonder how they have done it. The award is great to get new inspirations and motivation. Meet friends from the German industry. Time will tell, where and when the next award will take place.</p>
<h3>animago AWARD 2007 – The Winners:</h3>
<table border="0">
<thead>
<tr>
<th colspan="2">animago AWARD – Best Production:</th>
</tr>
</thead>
<tbody>
<tr>
<th>production</th>
<td>&#8220;Codehunters&#8221;</td>
</tr>
<tr>
<th>category</th>
<td>Kurzfilm</td>
</tr>
<tr>
<th>artists</th>
<td>Axis Animation, Schottland</td>
</tr>
<tr>
<th>client</th>
<td>MTV Asia</td>
</tr>
<tr>
<th>software</th>
<td>Lightwave, Maya, Modo</td>
</tr>
</tbody>
</table>
<table border="0">
<thead>
<tr>
<th colspan="2">animago AWARD &#8211; Best Studentaward:</th>
</tr>
</thead>
<tbody>
<tr>
<th>production</th>
<td>&#8220;Making of&#8221;</td>
</tr>
<tr>
<th>category</th>
<td>Kurzfilm</td>
</tr>
<tr>
<th>artists</th>
<td>premium films, Frankreich</td>
</tr>
<tr>
<th>software</th>
<td>3ds Max</td>
</tr>
</tbody>
</table>
<table border="0">
<thead>
<tr>
<th colspan="2">animago AWARD &#8211; Best Technical Realisation:</th>
</tr>
</thead>
<tbody>
<tr>
<th>production</th>
<td>&#8220;Audi Vorsprungsgen&#8221;</td>
</tr>
<tr>
<th>category</th>
<td>Image &amp; Industriefilm</td>
</tr>
<tr>
<th>artists</th>
<td>LIGA_01 COMPUTER FILM GmbH, Deutschland</td>
</tr>
<tr>
<th>software</th>
<td>Softimage|XSI</td>
</tr>
</tbody>
</table>
<table border="0">
<thead>
<tr>
<th colspan="2">animago AWARD – Best Idea:</th>
</tr>
</thead>
<tbody>
<tr>
<th>production</th>
<td>&#8220;Moe &amp; Les&#8221;</td>
</tr>
<tr>
<th>category</th>
<td>Kurzfilm</td>
</tr>
<tr>
<th>artists</th>
<td>Ringling School of Art and Design, USA</td>
</tr>
<tr>
<th>software</th>
<td>Maya</td>
</tr>
</tbody>
</table>
<table border="0">
<thead>
<tr>
<th colspan="2">animago AWARD – Best Character:</th>
</tr>
<tr>
<th>production</th>
<td>&#8220;Silhouettes&#8221;</td>
</tr>
<tr>
<th>category</th>
<td>Kurzfilm</td>
</tr>
<tr>
<th>artists</th>
<td>premium films, Frankreich</td>
</tr>
<tr>
<th>software</th>
<td>3ds Max</td>
</tr>
</thead>
</table>
<table border="0">
<thead>
<tr>
<th colspan="2">animago AWARD – Best Visualisation:</th>
</tr>
</thead>
<tbody>
<tr>
<th>production</th>
<td>&#8220;Building Europe&#8221;</td>
</tr>
<tr>
<th>category</th>
<td>Image &amp; Industriefilm</td>
</tr>
<tr>
<th>artists</th>
<td>Optix Digital Pictures GmbH, Deutschland</td>
</tr>
<tr>
<th>client</th>
<td>STRABAG</td>
</tr>
<tr>
<th>software</th>
<td>3ds Max, CINEMA 4D, Maya, Softimage|XSI</td>
</tr>
</tbody>
</table>
<table border="0">
<thead>
<tr>
<th colspan="2">animago AWARD – Best Commercial:</th>
</tr>
</thead>
<tbody>
<tr>
<th>production</th>
<td>&#8220;Snickers Race &amp; Robots&#8221;</td>
</tr>
<tr>
<th>category</th>
<td>Film/Werbung</td>
</tr>
<tr>
<th>artists</th>
<td>Unexpected Postproduction GmbH, Deutschland</td>
</tr>
<tr>
<th>client</th>
<td>BBDO Moscow, Masterfood Russia</td>
</tr>
<tr>
<th>software</th>
<td>3ds Max</td>
</tr>
</tbody>
</table>
<table border="0">
<thead>
<tr>
<th colspan="2">animago AWARD – Best interaktive production:</th>
</tr>
</thead>
<tbody>
<tr>
<th>production</th>
<td>&#8220;Adidas Originals&#8221;</td>
</tr>
<tr>
<th>category</th>
<td>Interactive/Visualisierung</td>
</tr>
<tr>
<th>artists</th>
<td>Effekt-Etage, Deutschland</td>
</tr>
<tr>
<th>client</th>
<td>Neue Digitale</td>
</tr>
<tr>
<th>software</th>
<td>CINEMA 4D</td>
</tr>
</tbody>
</table>
<table border="0">
<thead>
<tr>
<th colspan="2">animago AWARD – Best Still:</th>
</tr>
</thead>
<tbody>
<tr>
<th>production</th>
<td>&#8220;Here’s Johnny!&#8221;</td>
</tr>
<tr>
<th>category</th>
<td>Still/Leben &amp; Umwelt</td>
</tr>
<tr>
<th>artists</th>
<td>Daniel Karner, Deutschland</td>
</tr>
<tr>
<th>software</th>
<td>3ds Max</td>
</tr>
</tbody>
</table>
<table border="0">
<thead>
<tr>
<th colspan="2">animago AWARD – Jury-Award:</th>
</tr>
</thead>
<tbody>
<tr>
<th>production</th>
<td>&#8220;My Happy End&#8221;</td>
</tr>
<tr>
<th>category</th>
<td>Kurzfilm (Alternative Techniken)</td>
</tr>
<tr>
<th>artists</th>
<td>Milen Vitanov, Deutschland</td>
</tr>
<tr>
<th>software</th>
<td>Maya</td>
</tr>
</tbody>
</table>
<table border="0">
<thead>
<tr>
<th colspan="2">animago AUDIENCE AWARD 2007</th>
</tr>
</thead>
<tbody>
<tr>
<th>production</th>
<td>&#8220;Ratatouille&#8221;</td>
</tr>
<tr>
<th>category</th>
<td>Film</td>
</tr>
<tr>
<th>artists</th>
<td>Pixar Animation Studio</td>
</tr>
<tr>
<th>software</th>
<td>Marionette</td>
</tr>
</tbody>
</table>
]]></content:encoded>
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		<item>
		<title>Hands on HD Workshop</title>
		<link>http://www.anima-tv.net/2007/08/hands-on-hd-workshop/</link>
		<comments>http://www.anima-tv.net/2007/08/hands-on-hd-workshop/#comments</comments>
		<pubDate>Sun, 19 Aug 2007 20:46:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Reports]]></category>
		<category><![CDATA[Hands on HD]]></category>
		<category><![CDATA[Workshop]]></category>

		<guid isPermaLink="false">http://www.anima-tv.net/?p=50</guid>
		<description><![CDATA[From July 30th to August 5th 2007 Nordmedia organized the &#8220;Hands on HD&#8221; congress and workshop on the Expo 2000 Area in Hannover, Germany http://www.handsonhd.de.
Professionals from all over Germany gathered to be informed about the newest news in HD technology.
In the workshop 120 cameramen worked with all avaible HD cameras on all kind of sets [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-medium wp-image-51" title="handsonhd_logo" src="http://www.anima-tv.net/wp-content/uploads/2008/07/handsonhd_logo.jpg" alt="Hands on HD Logo" />From July 30th to August 5th 2007 Nordmedia organized the &#8220;Hands on HD&#8221; congress and workshop on the Expo 2000 Area in Hannover, Germany <a title="Hands on HD" href="http://www.handsonhd.de" target="_blank">http://www.handsonhd.de</a>.<br />
Professionals from all over Germany gathered to be informed about the newest news in HD technology.<span id="more-50"></span></p>
<p>In the workshop 120 cameramen worked with all avaible HD cameras on all kind of sets simulating most of possible filming conditions. Work with high-end postproduction equipment like the eQ, Avid Nitris, Lustre or Final Cut Pro was also part of the one-week workshop. Producers, technicians and digital artists were informed about the development in Germany at a congress from companies like Zeiss, WDR, Chroma TV, Apple, Canon, Sony, Fujinon, Quantel, Sennheiser, Arri, Band Pro and Cine Postproduction. Luckly most of the seminars were not marketing reports but packed with helpfull basics for filming with HD.</p>
<h3>Special Guest: Michael Ballhaus</h3>
<p><img class="alignright size-medium wp-image-52" title="handsonhd_michaelballhaus" src="http://www.anima-tv.net/wp-content/uploads/2008/07/handsonhd_michaelballhaus.jpg" alt="Michael Ballhaus" />As special guest Michael Ballhaus responsible as the director of photographie in many Hollywood movies like &#8220;The Departed&#8221; (2006), &#8220;Something&#8217;s Gotta Give&#8221; (2003), &#8220;Uptown Girls&#8221; (2003), &#8220;Gangs of New York&#8221; (2002), &#8220;Wild Wild West&#8221; (1999) or &#8220;Outbreak&#8221; (1995), taught a master class using the F23 shooting a short movie. In an interview at the congress Michael Ballhaus usually dedicated to Arri said that the new sony F23 (Film 2/3&#8243; CCD Chip) is a big step forward. Although the technology is advancing in his opinion film will always be a part of the filmindustry. It will always be a question of the aesthetics if traditional film will be used or HD equipment. Therefore cameraman have to be more skilled. Especially finding good camera assistance in Germany is almost impossible Mr. Ballhaus said. Therefore an initiative has been formed to educated this job. In the US it is a common well paid job, in Germany due to small budget the position has been rationalized. Ballhaus hopes that the media industry returnes to well educated production crews to enhance the quality.</p>
<h3>Working with HD</h3>
<p>&#8220;Hands on HD&#8221; was a great success. Although the TV Stations in Germany change to real HD TV (720/50p) (yes, we are so slow due to missing benefits on the audience side), most production companies know that HD is already there. HD is great, may be not for news but for series or TV movies. UHD is already in development and Digital Cinema will even more change our perception of viewing images.</p>
<p><img class="alignleft size-medium wp-image-53" title="handsonhd_hdcamera" src="http://www.anima-tv.net/wp-content/uploads/2008/07/handsonhd_hdcamera.jpg" alt="HD Camera" />By the way: All HD cameras were there, but the &#8220;RED&#8221; was missing, although the organizer had tried to get it&#8230;</p>
]]></content:encoded>
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		<item>
		<title>IBC 2006</title>
		<link>http://www.anima-tv.net/2006/09/ibc-2006/</link>
		<comments>http://www.anima-tv.net/2006/09/ibc-2006/#comments</comments>
		<pubDate>Sat, 30 Sep 2006 21:01:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Reports]]></category>
		<category><![CDATA[IBC]]></category>

		<guid isPermaLink="false">http://www.anima-tv.net/?p=54</guid>
		<description><![CDATA[September 2006 – The AnimA Team and 40.000 other people from 120 countries visited Amsterdam again and is looking forward to see new ideas that will soon become the new standard and hoping to meet friends from the business. IBC welcomed more than 1000 journalists from around the world to cover it for their own [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-medium wp-image-55" title="ibc06_entrance" src="http://www.anima-tv.net/wp-content/uploads/2008/07/ibc06_entrance.jpg" alt="IBC 2006 entrance" />September 2006 – The AnimA Team and 40.000 other people from 120 countries visited Amsterdam again and is looking forward to see new ideas that will soon become the new standard and hoping to meet friends from the business. IBC welcomed more than 1000 journalists from around the world to cover it for their own publications, and works. And we were part of it. We had 1000 exhibitors to choose from.<span id="more-54"></span></p>
<p>This Years IBC at the RAI Center was as always spoiled with good weather and you could feel that companies are willing to invest again. This spirit could also been felt at the official IBC party, which was great especially the band and the finger food. Also eating some pepperoni instead of a sweet byte of cake – what it looked like- was confusing sometimes. At 11pm the light was turned on and the party people had to move back to their hotelrooms to prepare for the next party next day. IBC is not only showing what is going on in the market but also bringing the media people together. Of course content providers are not the people that have a booth, but they were among us.</p>
<p>As you see we did quite a few very interesting interviews on the IBC, showing the vast range of products. What was for me most amazing is the battle of resolution. There is no useable cam around yet that can make 4K pictures – mab the RED Cam. Well, the Japanese say why 4K, lets do 8k! Yes, live and in color at the IBC. They invest in the future. Although nobody knows what the future will bring. I am personally waiting for 3D beamers like the ones in Minority Report. I have not found any innovation for that. But there is another trend: businesses that provided product for a small buyer group now aim toward the low budget market. Also today everybody can produce media content fortunely there is still a lot of know how involved to create great things. At least this time every system was involved in the Da Vinci Code – which might assume you need it all for doing a Hollywood movie.</p>
<p>So when you look to see, what is possible concerning media technology never miss the IBC when you are from Europe. We will all be back in the RAI Centre from 6 to 11 September 2007. I guess, going to the NAB would also be as exciting.</p>
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